Un Chant Ecarlate, installation view at Konstakademien, Stockholm with Galleri Flach.

Also at Moderna Museet showing recent acquisitions 2021-2022

Also showing In No Particular Order at Galleri Flach, Stockholm. Both exhibitions running concurrently September 2019.

Photo credit: Jean Baptiste Berangere & Vanessa Fristedt

 
 

Bouquet - A Particular Song
Musical Rehang

Bouquet - A Particular Song is a performative rehang by Cara Tolmie and Martin Gustavsson that explores Gustavsson's work In No Particular Order. Paintings will be randomly handed out for safekeeping, held and shuffled as cards in a pack. Blind-folded love songs and snippets of sound will be heard and sung to suggest images seen or heard, making a scene to imagine if the DJ saved some lives. The roll of the dice will predestine other orders and combinations inviting chance to narrate questions and answers real and imagined like the spinning of a disc. Something like a magical slow dance, it is an invitation to take a chance - which might be anyway ordinarily how we make sense (or make sense of this) and which, again, might employ systems similar to those that are at play in the work itself.

 

Bouquet - A Particular Song is a performative rehang by Cara Tolmie and Martin Gustavsson that explores Gustavsson's work In No Particular Order. Paintings will be randomly handed out for safekeeping, held and shuffled as cards in a pack. Blind-folded love songs and snippets of sound will be heard and sung to suggest images seen or heard, making a scene to imagine if the DJ saved some lives. The roll of the dice will predestine other orders and combinations inviting chance to narrate questions and answers real and imagined like the spinning of a disc. Something like a magical slow dance, it is an invitation to take a chance - which might be anyway ordinarily how we make sense (or make sense of this) and which, again, might employ systems similar to those that are at play in the work itself.

 

Un Chant Écarlate Installation Views, Dak’art Biennale, Senegal

Photography Credit; Karem Ibrahim

 

A series of paintings on polyester titled Un Chant Écarlate, shown at the Biennale Dak’art The Red Hour.
This section curated by Marianne Hultman, titled The Blue Hour (2018).