Un Chant Ecarlate, installation view at Konstakademien, Stockholm with Galleri Flach.

Also at Moderna Museet showing recent acquisitions 2021-2022

Also showing In No Particular Order at Galleri Flach, Stockholm. Both exhibitions running concurrently September 2019.

Photo credit: Jean Baptiste Berangere & Vanessa Fristedt

 
 

Bouquet - A Particular Song
Musical Rehang

Bouquet - A Particular Song is a performative rehang by Cara Tolmie and Martin Gustavsson that explores Gustavsson's work In No Particular Order. Paintings will be randomly handed out for safekeeping, held and shuffled as cards in a pack. Blind-folded love songs and snippets of sound will be heard and sung to suggest images seen or heard, making a scene to imagine if the DJ saved some lives. The roll of the dice will predestine other orders and combinations inviting chance to narrate questions and answers real and imagined like the spinning of a disc. Something like a magical slow dance, it is an invitation to take a chance - which might be anyway ordinarily how we make sense (or make sense of this) and which, again, might employ systems similar to those that are at play in the work itself.

 
 

Un Chant Écarlate Installation Views, Dak’art Biennale, Senegal

Photography Credit; Karem Ibrahim

 
«The Blue Hour» Dak'Art - La Biennale de Dakar Edition 2018 03.05-02.06.2018 Artistic director of Oslo Kunstforening, Marianne Hultman, was one out of five guest curators at the 2018 Biennial of Contemporary Art Dak’Art in Dakar, Senegal - accompanied by Marisol Rodríguez, Bonaventure Soh Bejeng Ndikung, Alya Sebti and Cosmin Costinas. The artistic director of the 13th edition of the biennial was Simon Njami. The 2018 edition's main theme, «The red hour», refers to a coming of age - a metamorphosis or transformation marked by both freedom and responsibility. Hultman’s presentation as guest curator was given the name «The Blue Hour». The Blue Hour or l’heure bleue is a poetic description of the mood during twilight and dusk. It symbolizes melancholy but also transformation from one level of consciousness to another. When we look at the world from the North towards the South, the red hour seems alien, perhaps even exotic. When we look at the world from the South towards the North, the blue hour seems as alien and exotic, although it’s the same phenomenon we are experiencing, the daybreak or the twilight hour. The following artists were invited by Hultman to take part in the biennial’s main exhibition: Martin Gustavsson (SE), Gavin Jantjes (ZA/NO), Toril Johannessen (NO) and Tori Wrånes (NO) in collaboration with Ayodeji Adewale Oluwatunmise (NG), Sanusi Taofik Ayomide (NG) and Tone Kittelsen (NO). All artists presented above are based in Norway, Sweden and Nigeria. They each have connections to the continent of Africa, either through their practices or their personal histories. The exhibition was produced by Oslo Kunstforening with artist’s support from the Office for Contemporary Art Norway (OCA) and Iaspis – The Swedish Arts Grants Committee’s International Programme for Visual and Applied Artists. 75 artists from 33 countries took part in the biennial's international exhibition, titled «A New Humanity».

A series of paintings on polyester titled Un Chant Écarlate, shown at the Biennale Dak’art The Red Hour.
This section curated by Marianne Hultman, titled The Blue Hour (2018).